Mangeshkar sang many raga based songs for Naushad in movies such as Baiju Bawra (1952), Mughal E Azam (1960), and Kohinoor (1960). Ae Chorre Ki Jaat Badi Bewafa, a duet with G. M. Durrani, was her first song for composer, Naushad. The duo, Shankar Jaikishan, chose Mangeshkar for Barsat, Aah (1953), Shree 420 (1955), and Chori Chori (1956). Before 1957, composer S. D. Burman chose Mangeshkar as the leading female singer for his musical scores in Sazaa (1951), House No. 44 (1955), and Devdas (1955). However a rift developed between Lata and Burman in 1957, and Lata did not sing Burmans compositions again until 1962.Mangeshkar won a Filmfare Award for Best Female Playback Singer for Salil Chowdhurys composition Aaja Re Pardesi, from Madhumati (1958). In the early fifties, Lata Mangeshkars association with C. Ramchandra produced songs in movies such as Anarkali, Albela, Asha, Pehli Jhhalak, Shin Shinkai Bublaa Boo, Azad and Amardeep. For Madan Mohan, she performed for films like Adalat, Railway Platform, Dekh Kabira Roya and Chacha Zindabad.