1. S₁: He took two cigarettes from my case.
S₆: Then he continued to draw on it.

P: But when the fit of coughing was over, he replaced it between his lips.
Q: He lit one of them and placed it between the lips.
R: Then with a feeble hand he removed the cigarette.
S: Slowly he took a pull at it and coughed violently.

2. S₁: Yawning or its absence has been related to various clinical conditions.
S₆: It is in reality a releasing stimulus.

P: Interestingly, some clinicians claim that those with acute physical illness don't yawn until they are on the road to recovery.
Q: It can be a symptom of brain lesions, haemorrhage, motion sickness and encephalitis.
R: But what is currently known about yawning is essentially anecdotal, mostly because the yawn has not got the respect it deserves.
S: On the other hand, it has been reported that psychotics rarely yawn, except those suffering from brain damage.

3. S₁: The commonest form of forgetfulness, I suppose, occurs in the matter of posting letters.
S₆: Weary of holding it in my hand, I then put it for safety into one of my pockets and forget all about it.

P: So common is it that I am always reluctant to trust a departing visitor to post an important letter.
Q: As for myself, anyone who asks me to post a letter is a poor judge of character.
R: Even if I carry the letter in my hand I am always past the first pillar box before I remember that I ought to have posted it.
S: So little I rely on his mem?,ry that I put him on his oath before handing the letter to him.

4. S₁: A transformation of consciousness is now beginning to express itself in the field of theoretical architecture.
S₆: The relationship between culture and nature is changed, for the architect grows a house like a garden.

P: In the still theoretical structure an attempt is being made to create a house that is "a domestication of an ecosystem."
Q: What is happening in the architecture is a shift from the international style of the post industrial era to a symbolic structure.
R: Since architecture is the collective unconscious made visible, the architect does not himself always understand the full cultural implications of his own work.
S: The new form is not a celebration of power over new materials, but a celebration of cooperation with ecosystem.

5. S₁: She used to work at the desk next to mine in the office several years ago.
S₆: I am glad that their demands have been accepted.

P: But it must have been exasperating that a male sitting beside her was 'doing the same work as she was and being paid more.
Q: She is certain to be still there, in the same old brown suit and fur lined boots.
R: She was as kind as she was efficient.
S: Now she and all her friends have won their long campaign for the justice of equal pay to be recognised.

6. S₁: When a boy grows into a young man, he finds himself in a new and strange world.
S₆: At this stage of his life he is like a body, without a soul, an eye without light or a Rower without fragrance.

P: The relationship remains but its nature changes.
Q: The emotional ties that he had with them are now loosened.
R: The old pattern of his life in which his parents were the nucleus around which his life revolved now undergoes a change.
S: He finds in himself an emotional void which he must somehow fill.

7. S₁: The mail is first collected from different letter boxes.
S₆: Finally it is delivered to us.

P: From there it is sent to the head post office.
Q: It is then sorted out at the sorting office.
R: The mail is again sorted out at the head office by the concerned beat postman.
S: The sorted mail is sent to the zonal post office.

8. S₁: Growing up means not only getting larger, but also using our senses and our brains to become more aware of the things around us.
S₆: In other words, we must develop and use our ability to reason, because the destruction or the preservation of the places in which we live depends on us.

P: Not only does he have a memory but he is able to think and reason.
Q: In this, man differs from all other animals.
R: Before we spray our roadside plants or turn sewage into our rivers, we should pause to think what the results of our actions are likely to be.
S: That is to say, he is able to plan what he is going to do in the light of his experience before he does it.

9. S₁: Nobody likes staying at home on a public holiday- especially if the weather is fine.
S₆: It was very peaceful in the cool grass-until we heard bells ringing at the top of the hill.

P: We had brought plenty of food with us and we got it out of the car.
Q: The only difficulty was that millions of other people had the same idea.
R: Now everything was ready so we sat down near a path at the foot of a hill.
S: We moved out of the city slowly behind a long line of cars, but at last we came to a quiet country road and, after sometime, stopped at a lonely farm.

10. S₁: There have been many myths about women in world literature.
S₆: He filled his rower's ears with wax and had himself bound to the mast so that he could hear the sweet singing without diving overboard to his death.

P: Odysseus found a way to save himself and his sailors from this evil fate.
Q: The sirens were beautiful maidens whose songs enchanted sailors on the seas.
R: Odysseus's encounter with the sirens during his return home after the fall of Troy is typical of this.
S: Their songs were so captivating that the sailors swam towards them and died miserable deaths.